TILT exhibits poetic work that resists the technological monopoly of the page. As counteraction, we welcome poetics of a rarer form, such as advertisements, analytics, animation, calculus, clown, collage, concrete poems, covers, dances, data, diagrams, games, gifs, economics, happenings, improv, magic, maps, parody, performance, poets theater, prop work, recipes, sketch comedy, soundscapes, stand-up, textiles, textless poems, websites, videos, visuals, and all things unfit or impossible to print. The TILT mechanism engages when the poetry machine is being lifted, tilted, or shaken beyond an acceptable level.
*Guidelines: As a form-forward journal, TILT does not consider normative poems via Word documents, even if you consider the language-content of those poems experimental. If your submission reads left to right, is single-spaced, and is generally of the form found in print journals elsewhere, please know this style of work is not what we seek.
Submissions are open for future issues.
Send all work, inquiries, and correspondence to TILT editor Henry Goldkamp at subTILTmissions@gmail.com.